Novel Overtures to the More-than-Human World
If you’re a good ancestor of the Enlightenment, you probably believe that “nature” is something entirely separate from us. We moderns live at a sanitized distance from messy biophysical realities, after all. Lately, this casual premise of ours has been taking some serious hits, however, with the acceleration of climate change, species extinctions, collapsing coral reefs, cataclysmic weather events, and more.
In recent weeks, I've noticed a big uptick in the number of creative overtures to the realm previously known as nature (a term that implies that humanity and nature are separate). I decided to bring together some of the more imaginative gambits that I've encountered.
What underlies each example, it seems, is our aspiration to treat “nature” as a living system of diverse elements, each with its own agency and imperatives. Or as Oren Lyons, a Native American Faithkeeper of the Seneca Nation, put it years ago: “What you people call your natural resources, our people call our relatives.”
So how do we get better acquainted with our nonhuman relatives?
A New Pronoun for the Natural World
Robin Wall Kimmerer, the celebrated author of Braiding Sweetgrass, suggests we should start with the idea of using a new pronoun when referring to nature. In a recent essay in The Ecologist magazine, she urges us to avoid the use of the pronoun “it” in such circumstances:
“Objectification of the natural world reinforces the notion that our species is somehow more deserving of the gifts of the world than the other 8.7 million species with whom we share the planet. Using 'it' absolves us of moral responsibility and opens the door to exploitation. When Sugar Maple is an 'it' we give ourselves permission to pick up the saw. 'It' means it doesn't matter….
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