David Bollier

The election of Bill de Blasio as Mayor of New York City suddenly presents a rich opportunity to reclaim a commons-based resource that the Bloomberg administration was on the verge of giving away. I’m talking about the pending introduction of a new Internet “Top Level Domain” for New York City, .nyc.   

Top Level Domains, better known as TLDs, are the regions of the Internet denoted by .com, .org and .edu.  They amount to Internet “zones” dedicated to specific purposes or countries.  Over the past few years, far beyond the radar screen of ordinary mortals, the little-known Internet Corporation for Assigned Names and Numbers (ICANN) – which manages TLDs -- has been pushing the idea of TLDs for cities.  If Paris wants to have its own Internet domain -- .paris – it can apply for it and get it.  Rome could have its own .rome and London could have .london. 

New Yorker Thomas Lowenhaupt of Connectingnyc.org – a long-time advocate for treating the TLD as a shared resource – has written, “I’ve often thought of the .nyc TLD in its entirety as a commons -- that the .nyc TLD is a digital commons that we all need to protect as we today (seek to) protect our physical streets and sidewalks by not littering, and provide clean air, parks, schools, health care, fire and police protection, and the like, to our built environment so that it best serves 8,200,000 of us.”

Here are some examples that Lowenhaupt has come up with for how .nyc could make New York City more accessible and navigable: 

The idea is that Internet users could use the TLDs to access various aspects of city life by using them in creative ways.  Instead of having to rely on Google to search for museums in New York (which would yield thousands of not-very-well-organized listings), you could use museums.nyc and find everything laid out more intelligently.  Or if you were new to Brooklyn Heights, you could go to brooklynheights.nyc and find all sorts of civic, community and commercial website listings for that neighborhood – the library, recycling resources, parking rules, links to relevant city officials.  And yes, the businesses. The possibilities are endless -- and potentially enlivening for a city.

Maybe it’s time for the commons and liberalism to have a frank talk.  Liberals would seem to be natural allies of the commons; they certainly often profess its values and goals, however superficially.  But the politics that liberals generally deliver -- even in their re-branded guise as “progressives” – tends to be seriously disappointing.   

Consider this little vignette recounted by the New York Times last week.  It was a story about declining sales for soda, the rising popularity of water and First Lady Michelle Obama’s role as a cheerleader for healthy choices.  This paragraph jumped out at me:

“Last month, Michelle Obama heavily endorsed water, teaming up with Coke, Pepsi and Nestlé Waters, among others, to persuade Americans to drink more of it.  Health advocates complained that Mrs. Obama had capitulated to corporate partners by not explaining the benefits of water over the sodas they sell and that her initiative promoted even greater use of plastic bottles when she could have just recommended turning on the tap.”

What could be more quintessentially liberal:  sincere, passionate commitment to a laudable social goal (drinking water instead of sugary soda) but no willingness or courage to fight for the right choice – tap water.  The reason is fairly obvious:  What would the corporate benefactors think?

The corporate backers of the First Lady's anti-obesity campaign are only too willing to bask in the socially minded glow. The brand director for Dasani, the bottled water brand sold by Coca-Cola, proudly declared, “…We are looking to lead in packaging and sustainability because those things also matter to out customers.” 

Yes, let’s sell more bottled water in “sustainable” plastic bottles.

Remix the Commons is a terrific collaborative multimedia project that works hard to document the commons movement and reach out to general public with stylish, intelligent productions. It was one of the partners at the Economics and the Commons Conference (ECC) in Berlin in May 2013.  While the rest of the conference was swirling along, Alain Ambrosi, Frédérc Sultan and their associates spent three days in a makeshift studio filming dozens of interviews with participants at the conference. It was a kind of parallel conference within a conference.  Now, finally, the fruits of that work are available online.  And what a rich body of material it is!

Remix has released fifty new short interviews as part of its ongoing series, “Define the Commons.”  Like the previous videos in the series, this batch consists of one- to two-minute interviews with commoners from around the world.  Each gives his or her own personal definition of what the commons is.  I loved hearing the different voices and ideas.  The opening blend of multilingual voices all speaking at once but resolving into a resonant bell is a beautiful metaphor.

The Remix videos series also include some longer roundtable interviews in which commoners focus on a shared theme.  One such roundtable was an interview with the Commons Strategies Group, which consists of my colleagues Michel Bauwens, Silke Helfrich and me.  Our interview, conducted the day after the conference concluded, focused on several questions:  how the 2013 commons conference differed from the previous one in November 2010; what single insight or theme stood out for each of us; our reactions to the strong interest at ECC in using the commons as part of power and political struggles; our predictions for the future of the international commons movement; and our advice for existing and future commoners.  Here is the link to our 26-minute video interview.  

American culture has been dominated for so long by Hollywood, Broadway and the nonprofit industrial complex that it is hard to imagine theatrical performance without the stars, the spectacle, the corporate investments and marketing hype.  What would it be like if theater were taken off its big-money pedestal and allowed to speak to serious social concerns, politics, ethnicity and the human condition as it is actually experienced? 

Welcome to HowlRound, a growing hub of the nonprofit theater world hat boldly bills itself as a “Center for the Theater Commons.”  HowlRound, hosted at Emerson College in Boston, is dedicated to the idea of “recouping the idea of nonprofit theater as an instrument of civilization."   

For those who participate in HowlRound, the commons is not just a fashionable buzzword; it is a fundamental organizing principle and ethic.  As its website explains, “HowlRound is modeling a commons….. A theater commons, if it is to be manifested, will need to be cocreated by others committed to its existence.”

In a world of shrinking foundation grants, government austerity and hyper-competition for entertainment dollars, can nonprofit theater reinvent itself as a commons?  I spoke with Polly Carl, director and editor of HowlRound, to learn more.  On the project's website, Carl describes herself as “a scholar and dreamer. A bicycle enthusiast, and tattoo 

aficionado, her most recent ink job features her pup Joey riding a blue Schwinn, tennis ball in mouth. She makes her ravioli from scratch.”

That's more or less what HowlRound is trying to do for nonprofit theater:  to make it from scratch. Carl is convinced that commoning is the most effective way to revive the creativity and relevance of theater for ordinary people.  “Sometimes you just have to let go of things that you think are really valuable [like conventional structures for nonprofit theater], and experiment,” she said. 

HowlRound was born two years ago when Carl, David Dower, Vijay Mathew and Jamie Gahlon decided that all artists should have more say in how the American theater is run. Carl explained that “market-driven institutions have left the artist behind financially, and artists can no longer control their destiny.”  

So why not try to amass a community of people dedicated to “the core principle that theater is for everyone”?