David Bollier

What a thrill to learn that Cecosesola (Central de Cooperativas de Lara) -- the Venezuelan network of community organizations from low-income areas – has won the 2022 Right Livelihood Award!  Cecosesola is a federation of co-operatives and other groups that has created its own distinct social and economic ecosystem. Since 1967, the group has relied on commoning to develop a humane provisioning system that meets the needs of more than 100,000 families across seven Venezuelan states.

The Right Livelihood Award cites Cecosesola for "establishing an equitable and cooperative economic model as a robust alternative to profit-driven economies."  It has achieved this in the face of serious problems in Venezuela – a financial crisis, food shortages, hyper-inflation, and a massive out-migration of 7 million people. 

Cecosesola doesn't simply provide competitive market prices for food, healthcare, loans, and cooperative funeral services, among other ventures. It changes well below normal retail prices. You could say that Cecosesola has learned how to ignore the market and set its own terms for providing goods and services. Its economic activities are almost entirely self-financed, and its internal governance and culture of solidarity and trust reject the standard management practices of businesses and bureaucracies.

Over five decades Cecosesola has made it a priority to develop a culture of transparency and mutual support. It is committed to an ethic of fairness and concern for well-being. These values and practices have flourished through the group's radically horizontal system of collaboration that pointedly avoids hierarchical control. The culture enables Cecosesola to deal with changing circumstances and crises in highly efficient, flexible, and adaptive ways. "We are just one big conversation," as one of its members said in an interview.

My late colleague Silke Helfrich first alerted me to this fantastic organization after she met with many of its members in the early 2010s. Her interview with them was published in our book Patterns of Commoning in 2014. We later wrote an interpretive summary of Cecosesola in our 2019 book Free, Fair and Alive, seeing Cecosesola as an "omni-commons" because it serves as a hosting infrastructure for all sorts of experimental, niche ventures in commoning. Silke last year nominated Cecosesola for the Right Livelihood Award.

The following is one of a series of features from The Commoner's Catalog for Changemaking: Tools for the Transitions Ahead, by David Bollier. The Commoner's Catalog, a compendium of dozens of vanguard commons projects and movements, is available through book stores and online (for free) at https://commonerscatalog.org.

Alarmed that certain types of caring for people has been criminalized, a large group of Europeans assembled a course syllabus in 2019 on what they call “Pirate Care.” As the convenors of the project explained, “We live in a world where captains get arrested for saving people’s lives on the sea; where a person downloading scientific articles faces 35 years in jail; where people risk charges for bringing contraceptives to those who otherwise couldn’t get them. Folks are getting in trouble for giving food to the poor, medicine to the sick, water to the thirsty, shelter to the homeless. And yet our heroines care and disobey. They are pirates.”

Hence the idea of “pirate care” – and the need to offer humanitarian or lifesaving care even if the state chooses to criminalize it.  The Pirate Care syllabus, developed  by Valeria Graziano, Marcell Mars, and Tomislav Medak, fashions itself as “a research process – primarily based in the transnational European space – that maps the increasingly present forms of activism at the intersection of ‘care’ and ‘piracy.’  It proposes new and interesting ways for intervening in "one of the most important challenges of our time, that is, the ‘crisis of care’ in all its multiple and interconnected dimensions.”

The care deficit of our time can be seen as the failure of various market/state institutions – for healthcare, housing, food, social support  – to help those in desperate need.

In general, care is often the most vulnerable human service because markets often do not value care unless there is demonstrable "consumer demand."  State bureaucracies like to offer regularized units of service to people, as if they were machines. Large, rules-driven institutions are simply incapable of "care."

And so care remains largely unpaid or poorly paid work.  It is often gendered (and marginalized) as "women's work" or as work for people with nonwhite skin. 

It's exciting to see how an Indonesian artists collective, ruangrupa, is attempting to elevate the ideas of commoning in the international art world. A few years ago, ruangrupa, based in Jakarta, was selected to curate one of the most prestigious art exhibitions in the world, documenta. The event is a showcase for cutting-edge artistic work, held in Kassel, Germany every five years for only 100 days. This 15th edition of documenta ("documenta 15") confirms that commoning is surging as a way to re-imagine the political economy of art-making.

Any artist knows that making a livelihood from one's creativity means coming to terms with the brutal realities of markets. The economics of painting, music, photography, and performance are each different, of course, but they generally privilege individual artists over groups, require that artworks be converted into commodities, and tend to splinter and transform coherent artistic communities as market players buy artworks they regard as prestigious, fashionable, or lucrative investments.

This process can be necessary and benign, and at least help secure artists' livelihoods. But it can also end up corroding the ethic of collaboration and sharing that are indispensable to any creative genre. Whether it's jazz, hip-hop, painting, conceptual art, or sculpture, artists need each other to flourish. They need a community of caring colleagues who can mentor, criticize, inspire, imitate, and mutually support each other, especially when livelihoods are precarious.

Thanks to ruangrupa, documenta 15, which opened in June and will run through September, is not just an art exhibition. It's an attempt to re-imagine the political economy of art and artistic cultures. 

My latest episode of Frontier of Commoning (Episode #29), I speak with Farid Rakun, a member of ruangrupa, who discusses how his collective used their documenta curation to convene a global assembly of artists to develop new ways to organize and support art-making.

There is a tendency in national politics to praise "the local" as a zone of authenticity and popular legitimacy while quietly disempowering local action by consolidating power in the national government. It's one of those structural problems that doesn't get enough attention.

Fortunately, on Tuesday, June 21, the third annual World Localization Day will remind us of the need to elevate and strengthen localism. Through a series of in-person and virtual events in more than 20 countries, the event will celebrate the many efforts around the world to relocalize the economy and strengthen community bonds.

In previous years, World Localization Day took place on a single day, but this year the organizers of the event, Local Futures, have expanded the celebration into a full month. The schedule of events will focus on people across six continents who are organizing virtual and in-person events to bring attention to (for example) community gardens and co-ops, independent local businesses and credit unions, and local food systems and locally produced textiles.